Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Wednesday, January 19, 2011

Bicycle Portraits in Ambrotype and Tintype

I've been helping a Lovely Bicycle reader with the process of ordering a custom bike, and he sent me something rather wonderful as a Thank You gift.

It's a beautiful little antique case, about 4x3", with the tiniest, delicate latch closure.  And inside of it, there is this:

An ambrotype portrait of a young lady on her bicycle, c.1893-94. The ambrotype  is one of the oldest methods of photography, where the image is captured as a positive on glass using a wet plate process. Being on glass, ambrotypes are extremely fragile, which is why they were preserved in these enclosed, padded cases. And even with these careful storage methods, not many of them remain. This is a fine gift indeed, to say the least - especially for one obsessed with both bicycles and photographic processes.

Here is a close-up of the image itself. I cannot remove it from its case, so excuse the murkiness. Notice that it is a mirror image - the drivetrain is on the wrong side. The first commercial freewheel was produced by Sachs in 1898, which means that this lady and others of her era were riding fixed gears. Also, notice the absence of fenders, but the presence of dress guards - at least her muddy skirt would not get stuck in the spokes? Otherwise, the bicycle is a fairly classic lady's Roadster (and apropos the earlier gender discussion - yes, these were made specifically for ladies).

The encased ambrotype came in a set with a free-standing tintype - another positive photographic process, this one created on a sheet of blackened iron. Just amazing. Again, there is the mirror image effect. The bicycle here is similar, but with a fancier chaincase and with a headlamp. The person who sent me these pictures believes the women might be bicycle messengers, though it is also possible that the caps represent cycling clubs that were popular at the time. I must admit that I liked the image of them cycling on fixed gear loop frames through the city delivering letters.

With the rising popularity of flickr, many vintage bicycle photos have been getting scanned and placed on the web in the course of the past several years. And it always amazes me to see specifically the portraits of young ladies posing with their bicycles in a proud and stately manner. Getting one's photo taken was a special occasion in the 1890's, something that was only done once in a great while. And opting to pose with a bicycle in one of the few photos that would ever exist of you, seems telling of the relationship the person in the portrait had with their machine. The word ambrotype means "immortal impression" in Greek, and these ladies wanted to be together with their bicycle for eternity. Was it a status symbol, or an object of obsession? Probably both. And I wonder how the digital bike portraits of today will be interpreted 120 years from now - that is, if they remain at all.

Monday, December 6, 2010

Bicycles and the Human Figure: Do We Look Better on a Bike?

I have never drawn or painted bicycles before, but am now starting a commissioned painting that will include two female cyclists - so I've been making figure drawings and sketches of people on bikes. It has been interesting to study the postures our bodies adapt while cycling - and especially interesting to note the inherent attractiveness of those postures. 

When it comes to the female figure, our positioning on a bicycle tends to really accentuate the waist-to-hip ratio - which, according to evolutionary psychology, is the greatest implicit indicator of "femaleness" to the male.

Cycling also tends to make the legs look longer and leaner - another evolutionary measure of attractiveness, for both genders (researchers believe that long legs may have been indicators of hereditary longevity).

When we cycle, the muscle tone in our arms and legs is accentuated - a general sign of health. In males, this can also serve to suggest strength - which, according to evolutionary psychology once again, females are pre-disposed to respond to.

Finally, being on a bicycle raises the figure higher off the ground, literally making the cyclist seem taller - another advantage for males. The added height also makes the cyclist more noticeable, regardless of gender - placing their body on a moving pedestal of sorts.

Of course, these things aren't simple formulas and there are many factors to consider in addition to the evolutionarily built-in heterosexual responses to each other's bodies. But generally speaking, there is a great deal of evidence that our postures and body language implicitly communicate sexual appeal and social roles to others. Maybe "you look better on a bike" is not just a catch phrase!

One thing my cycling sketches have taught me, is that drawing the human figure on a bicycle is not easy -  which makes it especially admirable that Mr. Rick Smith is able to do it nearly every single day with his comic Yehuda Moon and the Kickstand Cyclery!

As you may have heard, the folks at the Kickstand are having a Virtual Alleycat Race, powered by cycllelicious. If you are taking part, then you have arrived at the Lovely Bicycle checkpoint. You are probably looking for the link to the next checkpoint, but hang on - you're not getting it yet!

Here is what to do:

1. To qualify for the Best Checkpoint Comment Prize, please leave a comment on this post with your name and registration number. The comment must be left between 10am Eastern Standard Time on December 6, 2010 and the same time on December 13, 2010.

2. Lovely Bicycle is having its own mini-contest as part of the Alleycat, and the winner will receive a Mystery Prize. What the mystery prize is I cannot tell you, but if you like bicycles and art you might enjoy it. To take part, tell me what you like best about the way you - or others - look on a bicycle (this does not have to be physical - be as creative or abstract as you like). Please include your name and race number, so that I can identify you! The most compelling comment will receive the Lovely Bicycle Mystery Prize. Only Alleycat racers are eligible for this contest.

3. You would like the link to the next checkpoint now, yes? You shall have it just as soon as you answer a few questions [link disabled - the Alleycat is over, thank you for taking part!].

If you haven't registered for the 2010 Kickstand Cyclery Virtual Alleycat Race yet, register here now!